
Sympathy more comes from the viewer, regardless of ethnicity, the camera positions you into feeling sorry for characters mostly because they are black and endure punishment for their ethnicity.
The black gaze also focus’s on Django through a different perspective as a perspective. Through a neutral perspective Django is just a hero saving his wife. Through the black gaze Django is viewed as a traitor through him not showing any form of brotherhood and care to the various black slaves he meets along the way in rescuing Bromhilda (his wife). The epitome example of this is the scene where Schultz tries to get Calvin to stop abusing a slave by offering to pay for him. Django gets involved and basically says that Calvin can do anything he wants to the slave as he says ‘he’s yo nigger’. This then leads to the slave being eaten alive by dogs. These two shots parallel to one another signify the contrast in brotherhood at this point Django, being alone and the other slaves in a group shot all together.
